Mulvey and rear window ~ Rear Window 1954 the film directed by Alfred Hitchcock focuses on matters intensely discussed by feminist theorists such as. The main character Jeffries has a broken leg and has to rest in his chair which stops him from moving anywhere else. Indeed lately is being hunted by consumers around us, maybe one of you. People are now accustomed to using the internet in gadgets to view video and image data for inspiration, and according to the title of this article I will discuss about Mulvey And Rear Window In her essay Mulvey focuses largely on Hithcocks Rear Window and understandably so.
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Visual pleasure and narrative cinema authors.
Mulvey and rear window. University of Southern California. 0036-9543 Sloans Alfred Hitchcock. Therefore ultimately Rear Window is an example of classical Hollywood cinema as Bordwell and Thompson define it. Hitchcocks Rear Window is a brilliant example which helps us understand the gaze.
After the in-depth class discussions about voyeurism and suturing the choice to watch Hitchcocks classic films Rear Window and Vertigo made perfect sense. Mulvey used Hitchcocks 1954 film Rear Window to demonstrate how gender plays a vital role in the dynamics of cinematic spectatorship. A Filmography and Bibliography 1995 page 416 439. But this example with Rear Window observes what Mulvey is emphasizing.
Thus the spectator would derive pleasure from identifying with Jefferies as ego. They both play with the audiences role as a spectator and therefore voyeur by having the main characters themselves be voyeurs. Shohini Chaudhuri also discussing the use of close-ups writes that the heroine is valued above all for what her appearance connotes for her beauty and sexual desirability 37 pointing out that many of Jeffries focuses are on his leg. The film addresses and simultaneously criticizes societys voyeuristic tendencies presents strong female characters creates an unlikable stereotypical male gaze and ultimately blinds that gaze literally and metaphorically.
The Oedipus complex also explains how children become gendered beings. Mulvey and Rear Window Rear Window a very well known Alfred Hitchcock movie has the characteristics of a theatrical performance. Mulvey discusses aspects of voyeurism and fetishism in the male gaze in her article Visual Pleasure and Narrative CinemaShe draws from Alfred Hitchcocks 1954 film Rear Window applying terms from Sigmund Freuds theories of psychoanalysis to discuss camera angle narrative choice and props in the movie while focusing on the concept of the male gaze. Mulveys Male Gaze Broken Down.
It was filmed at Paramount Pictures starring James Stewart and Grace Kelly. That visual pleasure and sexual difference. In relation to Rear Window Mulvey asserts that Jefferies does the active looking a position reinforced by his work as photo-journalist whereas Lisa connotes exhibitionism to-be-looked-at-ness a role also supported by her interest in fashion and style. Rear Window 1940 Negation of womans view.
Mulvey argues that female main character Lisa Fremont is constantly asked to be looked at through Hitchcocks close-ups and choice of costumes. The location of the events is always in the same place. Between 37 and 38 witnesses all neighbors in her Queens apartment block saw or heard Kitty being stabbed and raped but not one of them intervened or called the police. Volume 16 issue 3 pages 6-18 journal ISSN.
Laura Mulvey addressed this notion in relation to Freuds psychoanalytic theories by making a statement that is reflective of Jeffreys character At the extreme it can become fixated into a perversion such as Jeffreys perverse observation of the young couple and producing obsessive voyeurs and peeping toms whose. Rear Window is so involved with the idea of the gaze that it is essentially a film about the gaze. After a while he gets bored and starts to. Besides Rear Window and Psycho other Hitchcock films that have been studied in terms of the Male Gaze are Vertigo and Notorious.
Due to a broken leg Jeffries is confined to the four walls of his bedroom his only pastime being looking at people through his bedroom window. According to Mulvey both Rear Window 1954 and Vertigo 1958 are films cut to the measure of male desire - tailored that is to the fears and fantasies of the male spectator who because of the threat of castration posed by the womans. Jefferies a photographer in Rear Window is put in such a situation which makes him a voyeur. According to Laura Mulveys phallocentric interpretation of Rear Window the male protagonist.
The gist of many of these studies including Mulveys is that Hitchcock was a misogynist someone who hates women who exploited women for fun and profit. All this in a psy-choanalytic context. Alfred Hitchcock Marlene Dietrich Marnie 1964 Rear Window 1954 Vertigo 1958 Links. Scopophilia Voyeurism the Gaze Objectification Fetishism.
Through a reading of Laura Mulveys now canonical work against the background of the new work in Lacanian theory2 In this essay I present Mulvey alongside Rear Window 1954 and Psycho 1960 to show how both the theory and the films register certain historical transformations of gender ideology and spectatorship in the post-war period. Rear Window 1954 Alfred Hitchcock- Paramount Pictures. Rear Window is a 1954 American mystery thriller film directed by Alfred Hitchcock and written by John Michael Hayes based on Cornell Woolrichs 1942 short story It Had to Be Murder. When eventually he believes hes been watching a murderer Jeff becomes obsessed and decides to solve the crime with the help of his.
Controls events coincides with the active power of the erotic look both giving a satisfying sense of omnipotence But there is nothing powerful in. A newspaper photographer with a broken leg James Stewart passes time by observing his neighbours through the window. Originally released by Paramount Pictures the film stars James Stewart Grace Kelly Wendell Corey Thelma Ritter and Raymond BurrIt was screened at the 1954 Venice Film Festival. Rear Window depicts a small chapter in Jeffs life.
Alfred Hitchcocks Rear Window provides commentary and criticism relating to theories of the male gaze as discussed by Laura Mulvey. This incident foreshadows a rape and murder that happened ten years after the release of Rear Window the famous Kitty Genovese case that launched research by psychologists into the Bystander Effect.
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